Summary and Keywords
The concept of a “wound culture” was introduced, in the later 1990s, to provide an alternative description of contemporary society, and, more exactly, to set out an alternative account of the modern and contemporary forms of crime and violence, and the forms of media and institutions, proper to this type of world. In short, the concept redescribed new species and scenes of death and life in a public culture in which addictive and spectacular bodily violence has become public spectacle. Moreover, the paradoxes of self-amplified violence make visible wound culture’s autotropic, or self-turned, character. They raise the question of how we live in, and with, autotropic violence, and how such a world renders its own reality comprehensible to itself. Self-torn forms of life and death become perspicuous, and appear on countless stages throughout our self-reporting world. These are some of the forms though which wounds communicate, and some of the modes in which wound culture itself becomes a medium.
Access to the complete content on Oxford Research Encyclopedia of Criminology requires a subscription or purchase. Public users are able to search the site and view the abstracts and keywords for each book and chapter without a subscription.
If you have purchased a print title that contains an access token, please see the token for information about how to register your code.