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As we begin to think about the United States as a carceral state, this means that the scale of incarceration practices have grown so great within it that they have a determining effect on the shape of the the society as a whole. In addition to the budgets, routines, and technologies used is the culture of that carceral state, where relationships form between elements of its culture and its politics. In terms of its visual culture, that relationship forms a visuality, a culture and politics of vision that both reflects the state’s carceral qualities and, in turn, helps to structure and organize the society in a carceral manner. Images, architecture, light, presentation and camouflage, surveillance, and the play of sight between groups of people and the world are all materials through which the ideas of a society are worked out, its politics played out, its technology implemented, its rationality or common sense and identities forming. They also shape the politics of freedom and control, where what might be a free, privileged expression to one person could be a dangerous exposure to another, where invisibility or inscrutability may be a resource. In this article, these questions are asked in relation to the history of prison architecture, from premodern times to the present, while considering the multiple discourses that overlap throughout that history: war, enslavement, civil punishment, and freedom struggle, but also a discourse of agency, where subordinated peoples can or cannot resist, or remain hostile to or in difference from the control placed upon them.
A discussion of feminist perspectives on crime and criminal justice in popular culture has to begin by pointing out that pop culture itself has traditionally been gendered as feminine. As epitomized by abstract visual art, nonnarrative poetry, and auteur cinema, high culture is still regarded in some critical circles as the opposite of popular culture, which is associated with the seductive and immersive qualities of mass media. Resulting from a masculinist aesthetic that privileged difficulty and abstraction as in Modernist poetics, so-called feminine forms have traditionally been considered to be less valuable than ones associated with masculinity. Media vehicles associated most readily and negatively with popular culture are those directed primarily at women audiences, such as daytime television, romance novels, and women’s magazines. Associated with the domestic space, leisure time, and unemployment, television itself was until recently viewed as a less-valuable, feminine medium.
For these reasons, and because of television’s preoccupation with crime, this article concentrates on television as a formally feminized medium that has for technological and social reasons now become more highly valued. Critiquing the conjoining of masculinity and cultural value is a feminist task. As viewers watch their favorite series in public spaces on handheld devices, and certain series are considered novelistic and complex enough to supersede other cultural forums, television has gained new cultural credence and is a premier space in which to relate popular images about women and criminal justice.
Carole Gibbs and Rachel Boratto
Wildlife crime is an area of study typically defined from a legalistic perspective as an act in contravention of laws protecting wildlife. These crimes occur both within and across national borders and may include trafficking in wildlife or wildlife products. Internationally, wildlife crime is regulated by a series of conventions, with CITES being the most important for the regulation of trade. While these conventions are international in scope, they must be administered by signatory nations through domestic laws. Domestic laws are enacted within local contexts and are as varied as the crimes themselves, regulating hunting, transportation, use, and sale of wildlife. Several international organizations (e.g., INTERPOL) facilitate collaboration between countries, but these organizations do not have law enforcement authority, so enforcement occurs primarily at the domestic, state, and regional level, following the domestically enacted law.
Scholars have taken a variety of approaches to define and understand various types of wildlife crime and criminals. Some have used a stage-based approach to develop typologies of wildlife crime based on the location of the crime or the criminal within the supply chain, while other criminal typologies are based on underlying motivations. In addition to typological approaches, more general theoretical frameworks (e.g., opportunity theory) have been used to explain these motivations and drivers of crime. More broadly, wildlife crime can be situated and understood within overarching theoretical perspectives, including Green Criminology and Conservation Criminology. Green criminologists define wildlife crime in terms of harm to animals, regardless of whether the act was against the law, and examine how power and inequality produce these harms. Conservation Criminologists, on the other hand, advocate taking an interdisciplinary approach to systematically define and understand environmental risks, including those related to wildlife.
The diversity of perspectives and approaches has produced a wildlife crime literature that is extremely varied, ranging from research on hunting and poaching to trafficking and enforcement. The continued pursuit of novel theoretical perspectives and methodological practices is necessitated by persistent criminal threats to wildlife, particularly to endangered species. Scholar must therefore continue to develop, test, and refine theory and methodological approaches in order to empirically guide wildlife conservation strategy.
Chris Cunneen and Sophie Russell
The pervasiveness and prominence of mass media are key features of contemporary societies. Nowhere is this more relevant than when we look at the ubiquity of social media. In recent years, anticrime Facebook pages have appeared across all states and territories in Australia, and as our social spaces increasingly shift from the physical to the virtual realm, different forms of online cybervigilantism have emerged. This article explores the ways in which community justice and vigilantism in Australia are exercised through social media in the wider context of the racialized criminalization of Indigenous young people. We also discuss how new forms of media are used to produce and reproduce a racialized narrative of crime, which at the same time has the effect of legitimating violence against young Indigenous Australians. The text draws on a number of anticrime Facebook pages and finds that the very presence of these sites legitimates the beliefs of its members, while providing details about potential targets, most of whom are young people. We contend that the views expressed on these sites mirror, in more prosaic language, sentiments that are expressed in sections of the old media and among a number of ultraright politicians and groups. Further, these sites do little to question the broader ideological and political frameworks that present crime and disorder as being divorced from structural and historical conditions. There is, then, an assumed social consensus around what is being presented on these Facebook sites: namely, that overt racism and calls to vigilante violence are socially and politically acceptable. While there appears to be a direct link between the Facebook groups and incidents of violence in some cases, on a broader level, it is the constant reinforcement of an environment of racist violence that is most troubling.
Tim Brennan, William Dieterich, and William Oliver
From rudimentary conceptions of risk in the late 18th century, risk assessment slowly evolved toward a more multifaceted conceptualization of risk and progressed to more sophisticated methods to calibrate offender risk levels. This story largely involves the struggles in criminology and applied agencies to achieve a successful “science-to-practice” advancement in risk technologies to support criminal justice decision making. This has involved scientific measurement issues such as reliability, predictive validity, construct validity, and ways to assess the accuracy of predictions and to effectively implement risk assessment methods. The urgent call for higher predictive accuracy from criminal justice policymakers has constantly motivated such change. Over time, the concept of risk has fragmented as diverse agencies, including pretrial release, probation, courts, and jails, have sought to assess specific risk outcomes that are critical for their policy goals. Most agencies are engaged in both risk assessment and risk reduction, with the latter requiring a deeper assessment of explanatory factors. Currently, risk assessment in criminal justice faces several turbulent challenges. The explosive trends in information technology regarding data access, computer memories, and processing speed are combining with new predictive analytic methods that may challenge the currently dominant techniques of risk assessment. A final challenge is that there is, as yet, insufficient standardization of risk assessment methods; nor are there any common language or definitions for offender risk categories. Thus, recent proposals for standardization are examined.
The variables impacting how one experiences imprisonment are far ranging. George Jackson (1994), a pivotal character in American penal history, wrote that, “[b]lackmen born in the [United States] and fortunate enough to live past the age of eighteen are conditioned to accept the inevitability of prison” (p. 4). Ruth Wyner (2002), incarcerated 40 years after Jackson under vastly different circumstances, describes a very different sort of bleakness associated with her incarceration:
One evening, just before I settled down to try to sleep, I allowed myself to remember my daughter in a way that I usually suppressed: remembering and feeling all the love that I had for her, every bit. A huge chasm grew inside me, dark and raw, and my throat constricted as I felt enveloped by the sadness. This was what was inside of me when I allowed myself to touch it.
Such personal experiences of incarceration offer a window into how prisons function, or often more correctly, fail to function, from the point of view of the prisoner. These perspectives are vitally important to a fulsome understanding of incarceration because prisoners and their experiences paint a picture of confinement that is patently different from those described by penal officials and governments.
There are numerous issues that shape the experiences of confinement, both historically and in the present day, a list longer than can be adequately addressed in this entry. Still, there are key concerns that recur in the literature and in ongoing debates about incarceration. Included here are human rights abuses, overcrowding, the overuse of solitary confinement, the situation of women prisoners, the incarceration of indigenous peoples, and health, especially mental health concerns.
Jason Gravel and George E. Tita
Though often not mentioned by name, the importance of social networks in explaining criminal behavior, delinquency, and patterns has long been recognized in the study of crime. Theories that explain criminal behavior at the individual level being learned through the impacts of peer influences presume that the transmission of ideas and influences flow among social ties (networks) that link individuals. Cultural theories of crime work in the same way. At the community level, delinquency and criminal behavior are born among members of a community or group that adhere to a particular cultural set of norms or beliefs. The concentration of crime in particular geographic areas results when there are insufficient ties among local residents to affect informal social control in the area. Impacted neighborhoods are often described as socially isolated, lacking social ties to institutions of power that provide the investment and services needed in a healthy community. The history of the formation and activities of street gangs is a clear example of how understanding the ties among individuals, and between groups of these individuals, matter in our understanding these phenomena. Comprehending social ties among gangs and gang members and employment of social network analysis (SNA) have become mainstays of local law enforcement efforts to address the issue of gang violence.
Much of the early criminological work that implicated social networks but did not explicitly acknowledge a network by name, or did not employ SNA on formal network data, did so because collecting such data is difficult at best and sometimes impossible. Though criminology has been a “late adopter” of SNA, the field is making great strides in this area. The National Longitudinal Study of Adolescent to Adult Health (Add Health) research program has provided a rich set of network data to explore issues of peer influence. Researchers are using carefully collected social network data at the individual and organizational level to better understand the ability of communities to self-regulate delinquency and crime in an area. Arrest data and field identification stops are being used to generate large networks in an effort to understand how one’s position in a larger social structure might be related to an actor’s involvement in future offending or victimization.
As the field of criminology continues to adopt a network perspective in the study of crime, it is important to understand the development of social networks within the field. Critically examining the strengths and weaknesses of network data, especially in terms of the process by which data are generated, can lead to better applications of network analysis in the future.
The origins of “narrative criminology”—meaning not so much the utilization of the narratives of (and on) criminals as the awareness of the importance of the narratives themselves and how they can become a focus of criminological research—are framed within the so-called narrative wave in the field of human sciences; but a deeper look into the history of the discipline allows us to discover that the interest in the narrations of crime dates back to the dawn of criminology and has influenced the development of the science ever since the time of Lombroso. Moreover, it has influenced the various traditions that have characterized criminology itself. The emergence of narrative criminology can thus be traced to narrative psychology, from which it has inherited the search for coherence and consistency in offenders’ narratives (with a view to producing an unified self-narrative); to the work of Goffman and to ethnomethodology, with regard to the view of narratives as self-presentations; to structuralism, for what concerns the presence of “pre-written” narratives, which are available in the broader sociocultural context; and finally, to the postmodern visions of social sciences and literature.
In developing its distinctive approach, narrative criminology has focused on narratives as motivators and producers of crime, discovering that crime narratives often do not appear centered around a unitary conception of a self: they are multidimensional, fluctuating, fragmented, and disarticulated. Moreover, narratives depend on the situation of the narrator, or his or her positioning in the social structure and determination by the cultural or social fields. Sometimes the narrator is not in control of these fields and is pushed by forces he or she does know nothing about.
Crime narratives are full of references to other texts, and their interpretation is complex. Sometimes they are elliptical, concise, short, and refer to what everyone knows and must be simply hinted at: they sign the emergence from the not-said, the not-knowable, anticipating or following an act that often does not find words, or taking its place. It follows that, since its inception, narrative criminology has revealed itself to be interested in the analysis of singular cases (“one is enough”).
Narrative criminology, in sum, positions itself in a space previously not occupied and connects with other new exciting developments in the field (cultural criminology, visual criminology, constitutive criminology), contributing to the study of the relation between individual and social narratives on one side, and among not easily defined individual, structural, and cultural dimensions on the other.
Miscarriages of justice, also called wrongful convictions and errors of justice (Forst, 2004), have long been a subject of popular interest. Traditional ballads and stories recounted the plight of the poor man facing execution for poaching to feed his family (“Geordie,” Child Ballad #209), the wife or sister who attempts to gain his release by surrendering her virtue to the cruel judge (“In his golden bed at midnight/There she heard the gallows groaning …”), and the outlaws, rebel leaders, and condemned men who told their stories from the scaffold (“Roddy McCorley”). These traditional stories focus on the contrast between good and evil, the implacability of the judge, and the imminence of death, while the theme of injustice is hinted at but never spoken. It is only in the final third of the 20th century that it becomes possible to speak of wrongful conviction as a topic of academic study and to explore it scientifically, trying to determine how often it occurs, and whether it is the result of human error.
This article first provides a brief history of wrongful convictions, beginning with the Salem witch trials, and then turns to the discovery and crisis of forensic evidence in the 20th century. By the end of the 20th century, forensic evidence techniques, from fingerprint identification to hair analysis, to interrogation techniques, had been called into question by the DNA revolution and the Supreme Court’s holding that expert witnesses in federal courts must be able to show the scientific basis for their testimony. Then we will turn to the psychological research that suggests that our current investigative techniques can provide false or misleading results. Causation can be divided into proximate and ultimate causation, and in the latter category, we will describe a social psychological theory which seeks to understand why, for example, it is so often the poor man (or, in the United States, the man of color) who faces execution for a crime he did not commit. Throughout, we will note the role of popular entertainment and news media in establishing a social understanding of wrongful convictions and assumptions as to its causes. We will close with considering three recent true crime documentaries whose success predicts similar efforts down the road.
Throughout the history of journalism the notion of a mother killing her infant child—committing an act of infanticide—has always been high on the news values scale. In the 19th century, sensational news reports of illicit sexual liaisons, of childbirth and grisly murder, appeared regularly in the press, naming and shaming transgressive unmarried women and framing them as a danger to society. These lurid stories were published in broadsheets and the popular press as well as in respectable newspapers, including the most influential English newspaper of the century, The Times of London. In 19th-century England, The Times played a powerful role in influencing public opinion on the issue of infanticide using lurid reports of infanticide trials and coronial inquests as evidence in stirring editorials as part of their political campaign to reform the 1834 New Poor Law and repeal its pernicious Bastardy Clause, which had led to a large increase in rates of infanticide. News texts, because of their ability to capture one view of a society at a given moment in time, are a valuable historical resource and can also provide insight into journalism practices and the creation of public opinion. Infanticide court and coronial news reports provided details of the desperate murderous actions of young women and also furnished potent evidence of legal and government policy failures. The use of critical discourse analysis (CDA) in studying infanticide reports in The Times provides insight into the ways in which infanticide news stories worked as ideological texts and how journalists created understandings about illegitimacy, the “fallen woman,” infanticide, social injustice, and discriminatory gendered laws through news discourse.